MY PROCESS

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MY PROCESS
FOR KATIE

FOR KATIE

I went to the service for my friend Margaret's mother, Katie. She died on June 10th. I did not know her well, as she had developed Alzheimer's and had it when I met her. Bill, Margaret's husband, made the introductory welcome and shared what he felt about Katie. I...

IT’LL BE FUN, I SWEAR

IT’LL BE FUN, I SWEAR

DIVE IN DINER, linoleum block print and rubber stamp on reeves bfk paper by Patricia and Jacob SahertianThe deadline is approaching on the Great Art House Print Exchange 3. This is the first one we are participating in though and Jake and I thought it would be fun to...

ARTISTS BEWARE

ARTISTS BEWARE

I have this crazy fear of glass shards. It is an event if a glass breaks in our kitchen as I hysterically take out the vacuum, after making sure everyone has shoes on, and go over the area at least 10 times. Ok, I am compulsive.That makes one of the perils of being an...

PRESS COVERAGE OF UAC SHOW

PRESS COVERAGE OF UAC SHOW

Lilia Menconi, of Phoenix New Times, wrote a great follow up piece of the uac debut show on the blog at Jackalope Ranch.Lilia particularly mentions the creative and intriguing work of Shari Bombeck "Visitors can expect to see small collages filled with nostalgic...

EIRE 1845

EIRE 1845

potatoes were the sustenance of the IrishWith all the hustle getting the uac show together I almost missed a deadline. Projet d'art postal is a mail art project for 2010: its purpose is to illustrate a period of the history of your country or your region. The...

UAC

Urban Artists Collective debut on Friday night. We're hanging the show, coordinating art, making signs. A lot of work gets put into an exhibition. An abundance of thanks to my fellow artists who pitched in and helped. See you at the gallery.

THE SORRY PROJECT

THE SORRY PROJECT

sorry, hikers, mixed media collage, old photos and waxSorry, sorry, sorry, sorry... I say this word daily. Maybe it should be my mantra. You don't realize how much you use something until people point it out, then you really become aware of it. To participate in this...

FIFTY YEARS

FIFTY YEARS

detailThere is a wonderful call for work coming from Barratt Galleries in Australia called the Hankie Project. Some amazing designs are already posted on their blog. The work is due at the end of May for a show in June. Since I posted Ma Grande Mere Est Morte, my...

REWORKING: ENDESHA MACHAME

REWORKING: ENDESHA MACHAME

With no real connection and no story to it, this canvas has been hanging about my studio for years. At first I wanted to emulate the work of Daniel Fauville (see inset) I had seen his work out in the Hamptons and loved the simplicity of them. So underneath (and you...

THEDY SUE HILL?

THEDY SUE HILL?

Skin, gel medium transfer skin, bottle, beeswax, 1.75 x 4 inchesWhile experimenting with transfer techniques I found one in which gel medium is painted onto an image, left to dry and repeated two to three times to build up a thick layer. When the gel is dry, you turn...

NOT A MESSAGE

NOT A MESSAGE

Not a Message, mixed media on canvas, 8" x 8"Started at the last uac workshop the focus of this project was to show something about visions of Phoenix. Since I am still adjusting to life in the desert, my source of joy about Phoenix are the interesting, creative...

MA GRAND-MERE EST MORTE

MA GRAND-MERE EST MORTE

Ma Grand-mere est morte, oil on canvas, transfer and collageThe background for this work was started for another series, but I changed my mind and decided to create something new. The image of my grandmother was taken in 1953. This is the picture that I have in my...